After mentioning it once or twice -- not to mention loving writer-director Rian Johnson's debut, Brick -- The Brothers Bloom was a must-watch, despite its lukewarm critical reception.
(Pic found at HitFix)
Sadly, the critics were right. What starts out as a fun, breezy and occasionally poignant story -- two grifter brothers (Mark Ruffalo and Adrien Brody) and their near-silent accomplice (Rinko Kikuchi) who attempt a multi-continent con on an eccentric heiress (Rachel Weisz) -- gradually takes on larger themes as the con gets bigger and the film gets longer. In the end, it goes pretty much where you think it'll go, it takes too long to get there, and the message is delivered with a heavy hand.
One additional complaint on con movies: The plots tend to be too big or too intricate or too both. There's nothing wrong with a simple ruse -- fewer holes can be punched, making for a film that doesn't leave you going, "Hey, wait a second ..."
One compliment on Brothers (aside from the performances, which are -- unsurprisingly -- quite good): Johnson knows how to create him some images. Lets hope he gets his hand on a script* that lets him show his knack for aesthetics within the confines of an equally great story.
*Looks like that could be Looper. Let's hope so.
Arizona eats, 2018 edition.
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